Last home portrait finished

Watercolor on 140# Arches hot press watercolor paper using a combination of Sennelier and Holbein watercolors because each brand seems to have strengths in different areas. I also have to admit, I had to resort to using a white colored pencil for a dab of highlights that I just could not manage with even my smallest brushes so technically this is a mixed media piece.  

I was watching a demo on watercolor this afternoon and it occurred to me I should probably point out in order to get this kind of detail in any given piece I rely heavily on the dry brush technique.  What that means is I typically remove excess water so I'm applying pigment much like I would with colored pencil - only it's faster and covers the paper more completely.  It took me forever to figure it out because it's not commonly taught anywhere versus the wet applications. 

I'm now caught up on my backlog of home portrait commissions but there's no rest for the weary.  Moving on to my next project. Stay tuned.  

Another home portrait finished.

 

Watercolor on Arches 140# cold press watercolor paper.  

Normally I paint with Sennelier watercolors.  I actually only own eight tubes of Sennelier paints - their introduction starter set.  You can imagine how much mixing goes on to get the color range needed for any given painting.  I have to admit it has been a great experience for working with a limited palette because the by-product is all of my paintings have a similar color thread between them as if it was intentional.  

On this painting I dabbled a little with some Holbein watercolors.  It all started because I'm not sure I like the yellow I have in my Sennelier set.  It's a little to opaque for my liking which is a weird thing to say about transparent watercolor but it is what it is.  Maybe it's a solubility thing.  Either way, it's the first time I played with Holbein and I was very much impressed with it so far.  

The mountain is calling prototype

 

Working on a design for a sticker or magnet (or both).